La Vie en Rose

Backstage, an old Edith Piaf stands, preparing for one of her final performances. Her torso is wrapped, and her doctor tells her that she is risking her life if she goes on with her performance. “So?” she responds. “You have to risk something.”

One would not think much of Marion Cotillard’s looks if they only saw her in the roles she takes. Outside of the movies she is gorgeous, but here, in ‘La Vie en Rose,’ she shaved her eyebrows and reduced her hairline to become Edith Piaf -- and that is only the beginning of the transformation.

The movie takes place around three stages in Edith’s life. The first is of her as a child, and this is one of the few movies, biopic or not, that has successfully managed to evoke sympathy for a character within the first twenty minutes. Practically orphaned, Edith suffers to the point where she may become blind. She goes to pray, blindfolded, to Saint Theresa and Jesus, so that she may have sight and be able to read like the rest of the children.

But this is a few of the only words Edith says during her childhood, until her father steals her from the brothel she was being raised in so he can use her in his circus act. Which is a better home, a whorehouse or a circus cart? One could have a tough time making that decision. Her father has her on the sidewalk holding out a hat, begging for change as he does cheap acrobatics, until the crowd wants Edith herself to do something. What does she do? Oh, she sings.

Time passes, and Marion Cotillard comes out as a teenager who sings on the streets for change, to which she has to give her father a cut as he wastes his life away in a pub. Edith’s luck comes and goes in a rollercoaster of successes and failures. One day she is drinking champagne at a New Years’ party, the next she is a step from having to whore herself out for food money. There is no doubt, in this stage of her life, that she lives for the moment -- whether good or bad.

A third chunk of the movie’s time line is the elder Edith Piaf, one who cannot pick up a glass without her hand shaking furiously. But her determination is possibly the strongest of any character in a movie I’ve seen in a long time. She is the lady who holds her friends close, but everything is second to her love of music. She became a national treasure for France, and she worked hard to uphold that image.

These three time lines are intertwined throughout the movie’s 140 minute run-time. The director, Olivier Dahan, manages to piece these events together in a way that nothing is spoiled and each chunk makes the next that much more important, regardless of how it happened chronologically. This is not a movie of stages of life, but of the events that shape a person.

The real achievement in this movie is Marion Cotillard herself. She plays Edith Paif with such vigor, yet in her face you can always see that behind her eyes she has worries and desperation, but that tiny smile she gives with her bright red lips is just enough so you also know she is full of love, whether she is singing, drinking, or praying. If this isn’t an Oscar-worthy performance, I don’t know what is.

And how can one ignore the music in a biopic about a singing legend? I think my reaction to this movie says enough: Starting the movie, I was familiar with La Vie en Rose as a song. As the movie played, and ended, the next thing I did was look for a soundtrack. It is a rare thing when the singing in a movie, even of a country’s national anthem, can take over one so completely. This is the movie that does it.

I’ve seen a number of biopics, a number of which have been about musical legends. ‘La Vie en Rose’ tops any I can think of at the moment, in acting, composition, art direction, and just plain, good old-fashioned storytelling.

Rating: 7/7

La Vie en Rose is now out on DVD.

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I know I've been slacking. I'm a bit tired but here are a few mini-reviews because I want to.

Love Me If You Dare

A French movie that I recently watched off a recommendation. An interesting concept of kids obsessed with a game of dare, in which the other cannot refuse. They take turns, and the story begins with things such as cursing in class and peeing their pants as kids, but evolves into things such as saying 'No' at their wedding or avoiding each other for ten years.

Now, the two main characters love each other, we see this. They share an uncommon bond, this desire to live dangerously and have momentary power over each other completely. But the problem is that it stretches a little too far for believability, and not far enough to push surrealism. I can't imagine any real person wishing to put themselves through so much anguish, and while the movie was enjoyable, ultimately a bit of a letdown.

Rating: 4/7

2 Days in Paris

I love a good romantic comedy, even the most formulaic of them. But here we get a romantic comedy with a nice mix of quirky mannerisms and some vulgar humor. A great mix for me, personally.

Marion and Jack are in a long relationship, and after somewhat of a European tour, they decide to spend the last two days in Paris, where Marion grew up. They stay in a bedroom above Marion's parents, and throughout the story Jack meets a lot of Marion's friends, and ex-lovers. Naturally it irks him that she has so many old flames around this town, as it would most people.

Where the movie succeeds is in Marion (played by writer/director Julie Delpy), who while not being perfect, is perfectly lovable. At one point she has an emotional breakdown because she reads women use twice as much toilet paper as men since they wipe when they pee, and that means they kill more trees. Whereas Jack can't sleep so he stays up at nights watching 'M' on his laptop.

The movie ended a little too quick for me, but still has one great last line that I won't ruin by quoting.

Rating: 6/7

Eastern Promises

I love the end of the year because that's when all the 'artsy' movies come out. Eastern Promises is really the first of the season -- or at least that I've seen.

This is the story of the Russian mafia in London. The story of a nurse who finds a journal of a woman who died in childbirth. And how the child and journal bring her into contact with the Russians.

I'm not going to spoil because to reveal much more than I said above would ruin the threading of the movie, how it plays out so craftily that it seems like clockwork.

Again, a problem with this movie I have is the ending. There is an inconclusiveness that seemed a bit too open-ended for me. This movie could have been 150 hours instead of 100 minutes, but the team made a decision. Let's just say I would've liked 50 more minutes.

Either way though, still a great movie all around and this is one of my first recommendations of the season.

Rating: 6.5/7

The Game Plan

Okay, I saw this for free.

First, we've all seen this formula a thousand times and all know how it's going to end.

Secondly, 110 minutes? Seriously? Oh, and an agonizing 110 minutes it was. But I have to say, honestly, if the movie had been 90 minutes it could've been decent.

My last major gripe is that for an eight year-old the kid was way, way too smart. Even a gifted precocious kid couldn't have made some of those jokes.

I never thought I would say this, but... even Dwayne Johnson ("The Rock") couldn't save this movie. But he was easily the best part. I'm eagerly waiting for 'Southland Tales' where we can possibly see him outside of his stereotype. We'll see.

Rating: 2/7

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